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REVIEWS | FOX's "THE O.C."
(Aug 5, 2003)

"First, no one calls it 'the' O.C. No one. We live in California, we know that. The producers live here, too. In Southern California, even. So there's no defending their insistence that people say 'The O.C.' It just makes a better title." (Sacramento Bee)


"The knee-jerk reaction to 'The O.C' would be to assume that years after the fact, Fox is just looking for a little 'Beverly Hills 90210' action to bolster ratings. But that ignores the pretty decent pedigree of the people behind 'The O.C.'" (SF Chronicle)


"As recycled as this all is, remember that the audience Fox is gunning for was barely out of diapers when Fox launched its last hit teen soap, 'Beverly Hills 90210' more than a decade ago." (Calgary Sun)


"'90210,' which ran mostly during the economic boom of the '90s, always seemed like a celebration of being rich and fabulous, but 'The O.C.' views too much money as a very dangerous thing. The teens of Orange County are shown as vapid and cruel, too privileged to have ever had social limits imposed on them." (Newark Star-Ledger)


"Some high-minded viewers complain when television writers steal shamelessly from past shows and movies, but the real problem is that they usually do not borrow enough ... What gives 'The O.C.' added spice is that it also borrows from older films." (NY Times)


"Dopey as it all is, you'll be vaguely interested to see how the writers manage to keep all their balls in the air. But they better not get too silly and force me to come down there -- and show them how it's done in the San Fernando Valley." (LA Daily News)


"The show's creators are wise enough to not paint the rich as too crass or unsympathetic. Instead, they rely on the classic crutch of secret unhappiness." (Seattle Times)


"For many younger viewers, it may accurately reflect how they experience life today --- or fantasize about it, in some cases." (Atlanta J-C)


"There's almost nothing in it you haven't seen before. Except for Benjamin McKenzie. McKenzie is a revelation and, backed by an able cast, he is what salvages this music-infused, glossy *** soap from slick filmmakers Doug Liman and McG." (Chicago Sun-Times)


On 26-year-old McKenzie: "Once in a great while an actor comes along whose face pins you to your seat. Think James Dean in 'Rebel Without a Cause,' think little River Phoenix the first time you saw 'Stand By Me,' and mostly think Russell Crowe every time you see him." (NY Post)


"(Ryan) doesn't seem to have many clear personality traits. McKenzie needs to let a little brooding and torment shake up his still surface -- he's at the center of a shameless melodrama, after all. He needs to get in touch with his inner James Dean." (Boston Globe)


"For all the James Dean comparisons being bandied about, (Ryan is) a character straight out of Dickens: a little bit Pip, a little bit David Copperfield." (Philly Daily News)


"These days even water-polo stars from national Republican strongholds want the world to know that they, too, have street cred -- no matter that the streets front the cribs that give the O.C. Southern California's highest median home price, $398,000." (Chicago Tribune)


"Encumbered by a script that is nearly breathtaking in its imbecilic banality, 'The O.C.' makes one long for the cold comforts of a sleazy-minded 'reality' show ... Fashioned crudely to appeal to teenage masochism, the series plows old ground in the tritest possible way." (Washington Post)


"Only a misguided English teacher from the last century, or maybe one of the show's self-aggrandizing producers, would try to find authenticity in this entertaining trash." (Philly Inquirer)


"'The O.C.' is surprisingly better than it should be. Since Fox's early kick-off date will have it temporarily vacating the schedule long before the rest of the net's fall lineup bows in October, it's definitely better than it has to be." (OC Weekly)


"Chances are you will get hooked ... Early indications are that the show is smartly going after two generations of viewers -- not just the 20-somethings Fox is famous for, but also their parents." (Houston Chronicle)


"What separates 'The O.C.' from past Fox failures, aside from the skill and attractiveness of its cast, is its ability to come up with a few smart deviations from the genre norm." (USA Today)


"(Peter) Gallagher's hair annoys the daylights out of me. I know he's supposed to be this scruffy guy, but somewhere along the way he could have found a comb." (Akron Beacon Journal)


Josh Schwartz, 26, youngest creator of a primetime TV show, says: "I try not to whimper. I try to remind myself that Fox isn't paying me to figure out their prime-time schedule, just to do this."