Raphael Bob-WaksbergLatest News and Opinion
Posted Saturday 4/14/18 at 12:07AM EDT
A journalist of South Asian descent says "most of us happily embraced Apu" in the 1990s, but The Simpsons can fix its most controversial character
"For those of us with low expectations, starving for any representation, Apu was a breath of fresh air," says Wajahat Ali, the son of Pakistani Muslim immigrants who grew up near Silicon Valley. While other portrayals showed brown people as cab drivers or terrorists, Apu Nahasapeemapetilon "was an integral character in the Simpsons universe who was able to be a co-protagonist of several episodes," he says. "Only in a cartoon, we thought, could people who look like us achieve such a feat." But that doesn't mean Apu or The Simpsons "get a lifetime pass to perpetuate lazy stereotypes," he says. "Any piece of art, no matter how well intentioned, harmless or silly, is not above reproach or critical examination... Instead of engaging with the issue of representation, which would have made for a more satirical and topical show — you know, the type The Simpsons used to do years ago — the writers responded with the worst creative sin: laziness." What The Simpsons shouldn't have done, he says, is "hijack your show’s most intellectual and empathetic voice, Lisa, as a foil for the writers’ unwillingness to be self-critical and engage their blind spots when it comes to listening to people of color who feel silenced and misunderstood. Thus, the show engages in another major sin: omission. After Lisa’s finger-wagging, the camera pans to a photo of Apu with the inscription 'Don’t have a cow!' Apu, who is a supporting character, is robbed of lines, rendered mute and frozen in a suffocating frame, smiling as a token prop. That’s exactly how so many people of color feel in real life — all the time." Ali adds: "What The Simpsons should have done was a stand-alone episode centered on Apu, who, after becoming a citizen many years ago, is confronted with an immigrant travel ban...Nobody would have a cow. But we would have an intelligent, critical, satirical show that at least confronts problematic issues instead of running away from them."
- Showrunner Al Jean explained why Lisa Simpson defended Apu, but why did she look at the camera?
- Jean criticized for tweeting conservative media in The Simpsons' defense
- Jean tweeted a link to the National Review piece: "Why the Apu Simpsons Controversy Bothers Me as an Indian American"
- Harry Shearer stuck up for the show, tweeting to Hari Kondabolu: "Bart, a pre-pubescent boy, is played by an adult woman. What's up with that?"
- BoJack Horseman creator Raphael Bob-Waksberg slammed The Simpsons response: "Imagine choosing to describe yourself and your work as 'applauded and inoffensive'"
- Bill Maher defends The Simpsons' response to Apu: "If you spend your time combing through old TV shows to identify stuff that by today’s standards looks bad, you’re not ‘woke,’ you’re just a douchebag"
Posted Tuesday 3/06/18 at 2:34PM EST
Amazon orders its first animated series, from BoJack Horseman team
BoJack Horseman creator Raphael Bob-Waksberg is teaming with one of his writers, Kate Purdy, on Undone, about a woman who discovers she has a "new relationship with time" after a car accident.
Posted Tuesday 2/20/18 at 3:30PM EST
Tiffany Haddish to voice an animated bird on Netflix's Tuca and Bertie, from the producers of BoJack Horseman
Haddish will play a cocky, care-free toucan named Tuca who interacts with anxious, daydreaming songbird Bertie in the animated comedy revolving around the friendship between two female birds. Tuca and Bertie is from BoJack Horseman creator Raphael Bob-Waksberg and two of his executive producers.
Posted Tuesday 1/30/18 at 8:39PM EST
BoJack Horseman creator confronts the “whitewashing” of white actors voicing minority characters on his show
Raphael Bob-Waksberg recently discussed with a Twitter follower why the Vietnamese-American character of Diane Nguyen was voiced by white actress Alison Brie. It’s something he’s wanted to talk about, but it's a topic that hasn't been brought up to him. “I think I used the idea of color-blind casting—(of) ‘It doesn’t really matter” — as an excuse to not pay attention,” he says. “I just said, okay, let’s find good people for every role … But I think if you’re not paying attention, you’re going to end up with mostly white people just because that’s how our industry is set up. If you want to go against that, you have to be active about it. You have to actively hire people of color. You have to actively think for every role: Can this be not a white person? If I’m not thinking about, it’s not going to happen.’”
Posted Friday 9/29/17 at 11:05PM EDT
BoJack Horseman creator: “it’s easier to talk about very serious issues through the lens of these wacky cartoon animals”
Raphael Bob-Waksberg talks about the even darker fourth season, saying that the Netflix series is able to plunge dark depths because it features animated animals and a show business setting. “I think the show business setting kind of gives us that too because this industry is so over-the-top and outlandish,” he says. “It allows us to comment on this real stuff in a way that perhaps if you were more straight ahead it would feel almost, like, afterschool special–ish or maudlin or indulgent.”